I thought I might explain how difficult it is to come up
with a title for a book. I suppose I was really affected by Henry James look at
book covers and the thought that he put into coming up with the right one. I
look at the illustrations by Quentin Blake for Roald Dahl, and I recognise that
there are a lot of things apart from the writing that are satisfying in a book.
I know that my husband held out with some stories that I thought should have
been published sooner. He wanted a friend to produce images for his stories.
When I read the stories in their joint book, I felt very satisfied. It was
like being taken back to childhood and reading blocks of print but then poring
over the images for a long time to decide if your imagination matched the imagination
and the skill of the artist. Marco Luccio's images seemed to say something
about John's stories but do a lot more. It was like being a child and an adult
at the same time.
I suppose titles are another part of a book that can be satisfying. As a
reader, I keep checking each event against the title as if it were a clue. I
suppose I want my titles to be clues too. The first book I wrote was called
Tangled up with Blues. I was satisfied with this title because it
indicated the football club I was writing about and the Police. It is also
almost the title of a Bob Dylan song which meant that I brought a richness and
an added meaning and a musical undernote to my novel.
The second novel I wrote was titled Scar Tissue. At the time I thought this was
a really good name because the series of events that occurred were triggered by
a trauma that had happened in childhood. While the Bob Dylan song brought a
good snowball effect, piling up the meanings and adding an extra dimension of
its own, the title Scar Tissue, was a title that I see often today. It calls to
mind a slick detective novel with a realistic image on the cover. It seems that
all the meaning was drained from my novel by the other titles also being called
that.
Another way authors come up with titles is to use part of a saying or a cliché.
I am reading Lee Child’s thriller Gone Tomorrow at the moment. This is half of
a saying ‘Here today and gone tomorrow.’ I suppose using this type of saying
means that you have hundreds of years of meanings to be added to your title.
This resonates with the reader and brings them some familiarity. It makes them
feel they can measure the title against the meaning that they know. I used the
title When Push Comes to Shove with my next detective novel. I wanted this
sense of familiarity, and I wanted to point the way to the murder and who had
done it as a sort of clue.
With my memoir I had a lot of trouble coming up with a title because it seemed
so personal and I wanted the facts to speak for themselves. Then I realised
that there were no facts. It was then that I came up with the title
Storytelling because I thought about the way my life had been overlayed with
anecdotes so that the anecdote seemed more real and certainly less complicated
than the truth. I also used the title Storytelling as a tribute to my mother. I
wanted to get the sense that no matter how painful an event, she would be able
to take the edge off it by telling it as a story.
I also think that for my whole life I wanted to make sense of my past by
writing stories about it. These events gave me my inspiration, but they weren’t
the whole truth. I could only see it from my own perspective so that there are
hundreds of stories that haven’t been told because the people have forgotten
that event or they chose to keep it to themselves. Perhaps they were being kind
by not mentioning the way they saw it to others.
I suppose the Indigenous people of this land use the term Storytelling to show
how their history is passed from one generation to the next. Stories are more
flexible than written information because a story can be told for the context
that the audience are in. I wanted that aspect of stories being so flexible and
told to comfort the audience as well as to pass on information. Anyway, that’s
my title and I will grow to love it or hate it over time, but it is
true for now.
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